by Lauren Kennedy
on Aug 27, 2015
As much as the natural wine scene has exploded in the past 10 years in New York, reflecting the culture and passion for this juice in Paris, there are still few bars and restaurants that focus solely on natural wine. June Wine Bar, which opened in January of this year, is one of the few places in NY that boasts an all-natural list. June is successfully pouring things like Costadila 280, a sparkling orange wine from Italy. This, along with other unique selections has piqued the interest of curious drinkers and wine geeks alike from the five boroughs. Places like June, along with Reynard, Ten Bells, and Contra are proof that it is possible to go “all natural” in NYC and have success.
June was born when business partners Tom Kearney and Henry Rich joined forces and brought their idea of a natural wine bar to life – both men bringing unique backgrounds to the table, each with more than 20 years of restaurant experience. Henry, who owns and operates Rucola in Boerum Hill and Fitzcarraldo in Bushwick, had a very good sense of what would succeed in this space in Cobble Hill. When he mentioned a natural wine bar, Tom knew he was in.
While opening the restaurant Sweetwater in Williamsburg, Tom, who has a chef’s background, was introduced to some of his first natural wines by bartender Sean Kranik, who was also working at Uva Wine Shop at the time. Afterward, he attended some Jenny & François portfolio tastings and caught the wine bug. Tom took his interest in wine and decided to work for Garnet Wine & Spirits, a retail shop, in order to learn from the ground up. It was a humble choice for someone already established in the restaurant industry but hungry for more wine knowledge. He later opened the Farm on Adderley in Ditmas Park where he has hosted an all-natural wine list since they opened in 2006. “Jenny has been great with bringing me along with her and the crew to connect with winemakers in Europe over the years.” says Tom.
After working in high-end places like the River Cafe, Jean-Georges and Blue Hill, Tom wanted a more casual environment and followed the migration that was beginning across the bridge to Brooklyn. The concept of June, while inhabiting a beautiful and unique space, was to focus on the wine without the pressure to eat, but to still offer delicious food from traceable, sustainable sources. “The bar is the prominent feature – a bit like a stage, and there is an emphasis on tasting.” While Tom says they’re passionate about all of the wines they sell, he’s particularly excited about discoveries from Partida Creus from Penedès, Spain, Franz Strohmeier from Austria, Eminence Road from the Finger Lakes, and Olivier Cousin from the Loire Valley. With his dedication to the importance of good ingredients at the Farm on Adderley, you can expect the same quality in his small plates at June where he serves up some beautiful dishes with seasonal vegetables like summer squash, white eggplant, and kale while still serving some classic wine bar snacks like chicken liver and a ham board. “I feel like it’s a natural transition to make choices about the wines we sell with the same criteria in mind. We are interested in winemakers who farm organically, maintain a diverse ecosystem, produce in quantities that are traceable and eschew technological manipulation in the cellar.”
After a few trips to June it was evident to me that the staff was educated and passionate about their list, and well versed on the wine. Tom says, “It starts with educating them about how commercial wine is made. I think the average person is mostly unaware of what goes into making a commercial wine. The use of spinning cones, reverse osmosis, enological enzymes, oak powder, grape extracts, catalogue yeasts; most of the staff seems sort of shocked that this is done at all. Consuming something that is free of this kind of manipulation is a lot more attractive to the average person. I think we’re living in a time where overwhelmingly we distrust these large profit-driven paradigms that aim to maximize efficiency at the expense of quality.”
The experience at June is truly exceptional. The ambience emulates a Parisian bar from the 1920’s; the beautiful design somehow fuses cozy with glamorous and brings a staff that is friendly and knowledgable. They often invite winemakers for an evening to chat with customers in a casual setting while featuring their wines by the glass to encourage tasting everything. Nick Gorevic, a wine rep for J&F is also a consultant for the list at June and has built an amazing selection. From interesting Moravian wines (Czech Republic), to the gorgeous wines from Hervé Souhaut and unique Australian wines from Domaine Lucci, he listens to the feedback from customers and the list is invariably evolving. He was pleased to learn that people were requesting even more distinctive selections like orange wines and whites from Jura. Still, you don’t have to be a wine professional or even have wine knowledge to enjoy an experience at June – just find a spot at the bar and you’ll be met with unpretentious recommendations. We know we will keep coming back to discover new gems on the list, taste, learn, and simply to spend time in a place that promises a lovely evening.
June Wine Bar
231 Court St,
by Michael Tulipan
on Aug 26, 2015
While standing on slopes of vineyards carved out of a mountainside, you wonder how Miloš Winery produces any wine at all — let alone some of the best organic wines in Croatia. Terraces march up the face of the mountain, leveling off just enough to allow a jeep to bounce its way halfway up. From this height, you admire an amphitheater of Plavac Mali grapes swaying in the ocean breezes. It is bone dry here in the summer, but the grapes draw moisture from the limestone-rich soil, which is adept at holding humidity. Below you, the lone road traversing the Pelješac Peninsula wends out of sight around a bend and sparkling blue seas extend in every direction.
The Plavac Mali grape is revered in this part of the world, the long lost relative or perhaps even forefather, of the much more famous Zinfandel. No matter the exact origins, the grape stands on its own — though too often a tannic bomb best cellared for years, if not decades. The sun is relentless here, making for big wines that can easily spin out of control. Only the cool ocean breezes can rein in this monster — or a storied winemakers like Frano Milos, whose family has lived in these parts for nearly 500 years.
Miloš wines have been made for generations, though only after the fall of Communism did they have the ability to be sold under the family name. Indeed, Frano’s was the first Croatian winery to launch as a private business in those early days of the new republic. From the start, he eschewed modern techniques for tradition and he continues to work in what can only be described as “the old ways.” Certified organic, the wines are made with minimal intervention, including no added yeast and only a small amount of sulfur added just before fermentation. The wines also age much longer than is the norm. As Frano’s son Ivan told us during our tasting, the goal of his father’s winemaking is to “achieve elegance.”
You can taste both the entry level Plavac and the Stagnum range, made with Plavac Mali grapes from vines over thirty years old. We started with a 2013 Stagnum Rose which was intense, with a good balance of acidity and minerality. The 2010 Plavac, billed as an entry wine, but far more than that, was the opposite of tannin bombs you find elsewhere. The alcohol level sat at a reasonable 13.6% and the resulting wine was softer and more enjoyable than other Plavacs we tried in the region. The 2006 Stagnum, a current release no less, was herbaceous and savory with a hint of spice followed by dry finish. 2003 Stagnum, by turns, was intense with good tannins and showed the potential for greatness, but would benefit from at least another five years of aging. Incredibly, this wine was aged for 3 ½ years in barrel and another 6 ½ years in bottle before being released. We finished with two very good sweet wines, a 2007 Stagnum Semi-Sweet and the 2007 Stagnum Dessert Wine. The former was more fruit forward than sweet, while the latter had a balanced sweetness, raisin-y with great structure.
If you should find your way to the paradise that is the Croatian Coast, do drop in on the family and taste some wines. Admire the stunning photos Frano takes, which adorn the old winery’s walls. And before you leave, pick up some tea full of Mediterranean herbs like sage, germander, rosemary, heather, bindweed and St. John’s Wort that grow on the surrounding lands.
Boljenovići 15, Ston, Croatia
by Organic Wine Journal
on Jul 31, 2015
At Wine FTW, Louise Hurren interviews Randall Grahm about his new Popelouchum Project:
“The whole notion behind the initiative is really predicated on the idea that the New World has really been hopelessly imitative of the Old – we haven’t yet discovered our unique and distinctive voice. My idea is that growing varietal blocks of grapes is quite limiting – we’ll never find the degree of congruence that the Old World has discovered with their centuries of iteration – but maybe by growing completely heterogeneous blocks, every vine genetically distinct from the other, we can produce a wine of real complexity, and allow the soil characteristics of the wine, rather than the varietal characteristics, to emerge. It’s my hope that I’ll be able to produce a wine from our Popelouchum Estate in San Juan Bautista, reflective of the great quality of terroir I know it to possess. Secondarily, we might find certain vines that are particularly well suited to the site, or which have utterly unique (and favourable) characteristics.”
by Organic Wine Journal
on Jul 22, 2015
Randall Grahm is seeking $350,000 in funding for his Popelouchum Vineyard project on Indiegogo.
In his own words (and be grateful Indiegogo doesn’t have the capability for footnotes):
We aim to create a truly unique, superior and nuanced wine, a “Grahm Cru,” an expression of the unique terroirs of our Popelouchum Estate in San Juan Bautista. We plan to do this by adopting a very unusual methodology – the breeding of 10,000 new grape varieties, each genetically distinctive from one another – and blending them into a unique cuvée that the world has not tasted heretofore. In so doing, we might also discover individual vines that are more congruent to our site as well as those that might have greater global utility – disease or drought tolerance – in a changing climate. We plan to employ biodynamic practice and use other techniques – some new-fangled (the use of biochar), some old-fangled (dry-farming), to grow grapes in a more deeply and truly sustainable fashion.
Read about the full project on the site. Some quick notes, though… the grapes will be grown biodynamically, and he also plans to have the vineyard certified organic. Perks include dinner at the vineyard and the chance to name one of the grape varieties.
by Emma Criswell
on Jun 21, 2015
Importer Duclot la Vinicole recently hosted a vertical tasting of ten vintages of biodynamic Bordeaux prodcuer Château Pontet-Canet. The estate has been family-owned since 1959 with second-generation winemaker Alfred Tesseron at the helm. The property has 200 acres of vines and uses approximately a 50/50 split between new French oak and cement vats for aging.
The winery is also known for replacing mechanical engines with horses — about half the estate is farmed using horsepower, with a goal of 100% in the near future. "A horse never puts his foot in the same place,” says Tesseron. The family trains their vines into arches so the horses can pass through without harming them. The winery had their first green harvest in 1990, a fully biodynamic vineyard in 2005 and the entire winery was certified in 2010.
The vertical tasting included wines before and after the organic practices began. While subtle, the wines after the change have bright and fresh qualities that weren’t present prior.
The following three stood out in terms of balance and complexity of flavor:
Château Pontet-Canet Paulliac 2007
A very limited production wine, due to summer rot and humidity — it isn’t available outside of Pontet-Canet’s cellar. On the nose, there are notes of shaved dark chocolate and red currants. On the palate, the wine is lush with red currants and a lengthy finish.
Château Pontet-Canet Paulliac 2009
The deepest of the wines I tried, the nose is delicate and pretty with blackberries and prunes. On the palate the wine tastes spearmint, milk chocolate and more blackberries.
Château Pontet-Canet Paulliac 2010
My personal favorite of the group, 2010 is gorgeous, velvety, deep and bright. On the nose I found shortbread cookies, violets and strawberries. On the palate there are more strawberries, strawberry leaf, cassis and spices.
by Organic Wine Journal
on Jun 19, 2015
From The Press Democrat:
Benziger Family Winery, founded more than 30 years ago by a pioneering Sonoma Valley wine family who helped bring green farming practices into the mainstream, is being sold to one of the world’s largest producers of low-priced wines.
The Wine Group, the world’s third-largest wine company with such budget brands as Franzia, Almaden and Corbett Canyon, announced Monday it has purchased the winery in Glen Ellen and its nearby sister winery, Imagery.
Financial terms were not disclosed, though industry estimates ranged from less than $90 million to slightly more than $100 million.
The article also states that part of the deal includes the winery’s green practices will be maintained. Over at Wine-Searcher, W. Blake Gray sees this may be a sign of biodynamics moving into the mainstream.
This might be a good time to invest in cow horns.
by Michael Tulipan
on Jun 8, 2015
The annual RAW natural wine fair, held in London’s East End each May, is quickly turning into a force of nature. This year, over 4,000 people attended the two day tasting event, showing that interest in organic, biodynamic and natural wines continues to build among mainstream wine aficionados.
To show at RAW, winemakers must meet several criteria: being certified organic or biodynamic, hand harvesting their grapes, not adding yeast except in secondary fermentation for sparkling wines, avoiding any heavy manipulation and keeping added sulfur levels below 70 mg/L. Plenty of highly regarded names were represented — Movia, Radikon, Champagne Larmandier-Bernier, Frank Cornelissen, Coturri, Eric Texier and Cascina degli Ulivi, along with a bevy of producers, mainly from Europe.
While I did retaste many favorites such as Lunar from Movia and some great 2008 Radikons (Ribolla, Oslavje and Jakot), a few regions and wineries did stand out. Several wineries showed well from Emilia Romagna, including Podere Pradarolo, Cinque Campe and Casé, putting the spotlight on this lesser known region as one to watch. An innovative winery from Slovakia, Strekov 1075, specializes in skin contact — its standout was Nigori, a cloudy Welschriesling named for a style of sake. Equally surprising was the first Polish wine I’d ever tried — my wife is Polish so we’ve long been on the hunt for Polish wine — from Dom Bliskowice, a young winery from Wisla in southern Poland. Their collection of 2012 and 2013 Rieslings showed some potential and we’ll keep our eyes on them.
Famed producer Emidio Pepe, from Abruzzo, presented six wines ranging from 2012 all the way back to 1983. Known for their reds, the 2012 Pecorino Colli Aprutini IGT started off the tasting and showed very well. Then it was on to the reds, with the star, of course, being the 1983 Montepulciano d’Abruzzo, a full-bodied wine, a bit bloody with olive notes, mature but still showing great vibrancy. Truly stunning.
Another winery, little known outside its region and not yet distributed in the US, Laurent Bannwarth from Alsace impressed as well. Highlights included a very good 2013 Riesling Coeu de Bild, a minerally 2013 Gewurtztraminer and a rich 2009 Pinot Gris “Patience.” Each wine showed deep dedication to tradition and none had added sulfites. US distributors should jump on this winery.
In London, RAW is held at the Old Truman Brewery in the East End, which allowed for a large open tasting room and fairly good traffic flow. While there were a few challenges with the space. It gets extremely warm, bathrooms are in short supply, and spit buckets are not on the tables — awkward cardboard receptacles in the middle of the aisle encouraging more drinking than tasting. Overall the venue handled the crowds well.
While I did hear a few people approach tables asking for orange wines as if they were trinkets to be collected, the crowd struck me as extremely engaged and that bodes well for the continuing growth of natural wines worldwide. On to Germany for the first RAW Berlin on November 29.
More info on RAW events can be found at www.rawfair.com.
by Organic Wine Journal
on May 1, 2015
In Punch, Alice Feiring discusses the future of Natural Wine.