Your Guide to Organic, Biodynamic and Natural Wine



The first edition of this book ignited this writer’s fledgling interest in all things vinous some twenty-five years ago. It was the first wine book I ever bought, almost by accident. I was initially attracted to it because of the superb illustrations by Paul Hogarth rather than by the words; they added to my treasured collection of Hogarth-illustrated Graham Greene paperbacks. These marvellous pen pictures are thankfully retained in this new edition and remain almost as indispensable as the writing itself because they convey the joy of wine better than almost any photograph. However, I soon became captivated by the writing style and sheer erudition on show. To this day I still refer to the 3rd edition, its bright blue cover prominent on my bookshelf.

Since then this encyclopaedia of wines, vineyards and winemakers has expanded enormously, reflecting, in Hugh’s own words, “the most eventful quarter-century in the history of wine.” The subject of wine has changed fundamentally in many ways during this time, as this book bears witness; from the rise of the New World to the development of the global wine village, from the dominance of international wines to the continuing adoption of biodynamics and from vintage variation to global warming. Back then, entries on China, India and Uruguay would have been merely eccentric footnotes, now these regions loom ever larger in our future.

In this new edition the content has been sensitively updated by Stephen Brook, with the heart of the book still arranged on a country-by-country basis, listing key producers in succinct detail. But there is much more besides, with chapters covering grapes, winemaking and wine styles and not least giving practical advice on enjoying wine – from buying through to serving and tasting.

Any test of an encyclopaedia should, in my view, be made my dipping into the contents, particularly to check out the reviews of favourite wineries and to discover unfamiliar entries to fuel future exploration. The book is a unique lens of preference and discovery, where entries are graded on a simple four-star system and web addresses are helpfully included. Given that the book covers the global wine scene and some well known producers are naturally self-selecting entries then three examples chosen almost at random must suffice to illustrate the quality and depth of coverage. I could of course have listed hundreds more.

Firstly, I was delighted to see Domaine Belluard listed in the Savoie section, whose biodynamic white wine, made from the ultra-rare Gringet grape, made such a favourable impression on me just a few weeks ago. Secondly, welcome recognition is given to Fox Run Vineyards, arguably the best wine producer in New York’s Fingerlakes region, which bought back fond memories. Finally, Quinta de Covelha from Portugal’s Minho rightly focuses on their exciting red and white blends.

This book does what says on the cover – a constant companion to my own wine journey. While I have amassed a collection of hundreds of books on the subject of wine it’s still a privilege to continue to learn from and enjoy Hugh’s subtle writing style. His most articulate and concise prose manages that rare three card trick of being authoritative, up-to-date and entertaining.

For anyone setting out to discover wine then this book, alongside The World Atlas of Wine and The Oxford Companion are the indispensable tomes. For those of us already immersed in wine lore this book is no less essential – it raises the bar to which we all strive another notch.

Hardback, published by Mitchell Beazley (ISBN-13: 978-1845334574) and available in the USA from the 15th of September 2009, RRP $60.00. Amazon has it listed at $37.80.


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Slovenia is a middle-European country that was once part of the former Yugoslavia, whose western Goriška province borders the Friuli region of NE Italy. The border between them runs through a small wine area with a violent history, known to Italians as the Collio and Brda to the Slovenes.

Once part of the Austro-Hungarian Empire, this area bore witness to bloody encounters during both world wars. The current border was established at the end of World War Two and remained the frontline during the Cold War that followed.

Those that drew up the border were neither respecters of existing family relationships or property ownership – it frequently runs straight through vineyard holdings. Whereas today you don’t even need to show a passport to cross over, during the Cold War workers were only allowed across a heavily patrolled divide by day and a curfew operated at night. Consequently, the location of the winery dictates whether the wines that come from this area are Italian or Slovene.

In the meantime individual Italian estates were able to develop their winemaking reputations while the Slovenes were forced into collective farming and obscurity. In 1991 Slovenia declared independence and the end of communism. Increasing prosperity and stability were further enhanced by them joining the EU in 2004. Now there are a number of Slovenian winemakers that are becoming known for their stunning artisanal wines

Similar red and white grape varieties are grown on both sides of the border, but reputations on both sides are generally founded on white wine. However, the Slovenian wine style is different because the border has separated winegrowing and winemaking traditions. While there are exceptions to this, the Slovene whites are in general richer, more complex and long-lived compared to their fresher Italian counterparts. A terrific example is Teodor Belo reserve white, made by Marjan and Salko Simčič.

Marjan and Salko (there are other local winegrowers called Simčič) own 16 hectares of vines. As with many of their counterparts, the vineyards straddle the border, with half in Slovenian Goriška Brda and half in Italy’s Collio.

Teodor, like many Slovene whites, is a blend – of 60% Ribolla with 20% Sauvignonasse (aka Friulano) and 20% Pinot Grigio. The grapes are traditionally farmed without modern synthetic chemicals and are late-harvested by hand.

The Simčič wines are also made naturally, without fining or filtering or adding sulphur dioxide before final blending. The white grapes are macerated before fermentation to extract every last bit of flavour and complexity. This extended skin-contact is unusual outside Slovenia and in the wrong hands produces clumsy, heavy wines.

However, Simčič has a modern winery with new technology, so the result is a structured wine of considerable complexity and deep colour but where freshness and drinkability is also retained. A combination of stainless steel and oak casks are employed for fermentation, with maturation of the three base wines on their lees taking 28 months in various woods before final blending and bottling – only 5,133 bottles were made of the 2004 vintage, with bottling in February 2007.

Teodor is a distinctive and terroir driven white wine that is capable of further ageing and is excellent with food. It needs chilling, but 14 degrees C is quite enough – any colder and it won’t reveal all its nuances.

In the glass it’s a deep brassy yellow, flecked with amber. The nose is distinctive and striking, with hints of dried flowers, butterscotch and vanilla.

The palate is Burgundian in texture and elegance – a great compliment. It is very rich, highly extracted and intense, yet balances that with sheer complexity and depth of flavour and just enough fresh acidity. It is creamily textured, with a long dry finish and mineral undertow. Pear and cider-apple fruit suggest a hint of oxidation, while butterscotch, fig and quince jostle for attention. A touch of honey and a tang of peel suggest a very slight influence of botrytis from the vineyard. An Italianate bitter note – probably the influence of Ribolla –makes a final counterpoint.

This is both a stunning and an intellectually interesting wine that also makes a great introduction to Slovenian wine for the uninitiated.

It’s drinking well now but with the capacity for more development over the next five years. Fish dishes or cheese are the obvious matches, but wild mushroom risotto is near perfect.

In the USA, Hi-Time Wine Cellars of Costa Mesa, CA (www.hitimewine.net) stock it for $25.98.


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We’re getting into late August which means grapes all over the Northern Hemisphere are ripening, weather forecasts are being watched more closely, and we here at the Organic Wine Journal are taking a breather.  Between baseball games and late summer getaways, we’ve been tasting lots of incredible organic, natural, and biodynamic wines while taking copious notes for you, our loyal readers.  We’re also hard at work behind the scenes acquiring new and interesting content for our site in the near future.

So enjoy your roses, bubbles, crisp whites or slightly chilled reds and we’ll see you in a few weeks with many new features, reviews, and announcements.  Until then, we’ll be the guys sneaking a screw top bottle full of Gruner Veltliner into the baseball game and pairing it with every piece of junk food under the sun.

Cheers,

Greg, Adam, & Jonathan


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Judging The Judges

The recent announcement that Wal-Mart will be evaluating the environmental impact of the products sold in its stores was more than a little weird. As the biggest of the big box stores worldwide, a merchant that made “we sell for less” the gold standard in retailing, this new obsession with “sustainability” and “traceability” gave us real pause.

Wal-Mart’s track record as a steward of decency is, to put it mildly, thin. They have been forced to settle court cases on employee overtime issues, gender discrimination and have ongoing inquiries with states over taxation and with environmentalists over new sites. They alone are the single largest party responsible for the transfer of dollars to China and the rise of the Yuan as a global currency. Their stance on labor organizing is well known. Many have blamed the demise of Main Street on their predatory pricing policies. We could go on.

But what caught our eye at is that someone very, very high up at Wal-Mart thinks the public wants to know what is the karma behind the products they buy to wear, use and eat. We agree. Our thesis of “responsible hedonism” and the “ethics of luxury and the luxury of ethics” have always stood for learning what is behind the wines we drink. We have always asked: How was this wine made? How were the vines nurtured? What were the field workers exposed to? What was added in the vintning process? What was the energy profile in the making and storage?

We have always thought this was an important part of the enjoyment of the beverage, and now so does Wal-Mart. This could be huge because this retailer touches the very core of America and, increasingly, the world’s shoppers. When they start demanding from their suppliers proof of sustainability, what comes next? Will they list the pesticides, herbicides and fungicides that are used? Will they reveal water usage per acre? When it comes to wine, will we be told the levels of these chemicals found on their vineyard laborers skins?

This door is a very hard one to close. Back to the stores themselves: We can see the rise of outside graders who will analyze the economic impact of Wal-Mart on small towns and suburban counties. We could see sending monitors to the countless Chinese factories churning out all the low price stuff. Anyone want to guess what they would find in terms of environmental and labor issues? Yet, all in all it’s a good thing because these proposed little profiles on the shelf next to the product will be a constant reminder that what is behind the product can be as important as the product itself. If it backfires, that will be a good thing too because it will force them to reform or abandon the plan in an embarrassing retreat. If it works, it could force everyone else to stop hiding behind sexy, clever ad campaigns and low prices and tell us what we’re really buying and drinking.


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